Imagery
Imagery is often defined as
something which creates a ‘picture in your head’. However, I have never found
this useful because it seems to me that poems very rarely actually create
anything like ‘pictures’ in my head that I can actually see.
As such, a better way to think
about imagery is that it is just a form of comparison that helps try to explain
one thing by comparing it to another. Now … you may ask why anyone would bother
with this. Surely it would be simpler to just straight-forwardly describe
something using adjectives rather than go to all the trouble of making
comparisons. This seems sensible at first but have you ever really tried
describing something accurately to someone else using just words? It’s actually
a lot harder than you’d think, especially if you are trying to describe
something new to that person or make them see the world in a new way, which is
what poets and writers are often trying to do.
Making comparisons, then, is a
good way of allowing us to use the knowledge that we already have to understand
the new things that someone is trying to tell us. Take giving directions for
example – it’s a lot easier to understand directions to an area that you’re
already partly familiar with than directions to somewhere that you’ve never
been.
There are three main types of
comparison that writers often use. The simplest is simile:
Simile:
A simile is a statement that uses
‘like’ or ‘as’ to make a comparison.
For example when I say ‘the sun
was as red as blood this evening,’ I have borrowed your already existing
knowledge of the sharp and bright colour of blood to
give you an idea of how vibrant and stunning the sunset was.
Metaphor:
A metaphor is a direct comparison
between two things where you pretend that one thing actually is another.
To turn the above example into a
metaphor I would have to tell you about ‘the blood-soaked sun which set this
evening’. Obviously the sun was not really bleeding so what I am saying cannot
literally be true but it again conjures up the idea of a bright and shocking colour. You might notice as well that the metaphor is a
little more powerful than the simile and has a more threatening feel perhaps
because, without the words like or as, it is not so obviously a comparison.
Metaphors often work effectively
as one-offs but sometimes writers try to push the metaphor as far as it will go
and use different versions of it again and again throughout their text. In this
case the metaphor has become an extended
metaphor.
Personification:
Personification is when a writer
gives human qualities to an animal / object / idea / any other inanimate
object.
Often personification is achieved
by using adjectives or verbs that we usually associate with people,
particularly verbs that give objects desires, intentions, plans or emotions. We
personify things all the time in our daily lives e.g. we might describe our
mobile phone as ‘hiding’ in the bottom of our bag when we can’t find it or you
might say that the traffic ‘hates’ you because it always decides to be busy
whenever you go out. Time and luck are also often personified. Time can be
described as running away from us or chasing us and luck can be on our side or
against us.