Consonant Sound Effects
When you notice sound effects in
texts you must not just simply point them out. Instead you must analyse how
sounds are used by the writer to support the effect or Organising Principle
that he or she is trying to create.
Consonant
Sound Effects:
Here is a poem written by Alexander Pope that makes good use
of consonant sound effects:
But when loud surges lash the sounding shore,
The hoarse, rough verse should like the torrent roar.
When
The line, too, labours, and the words move slow;
Not so, when swift Camilla lightly scours the plain,
Flies o’er th’ unbending corn, and skims along the main.
Notice how he chooses words with
‘s’ and ‘sh’ sounds in the first line to make the reader’s lips work at the
hissing noise of the sea, then words with ‘r’ sounds in the second line, making
the reader’s throat do some rasping work. These are forceful and vigorous
sounds for a physically violent scene.
When he wants to create a calmer
effect, he uses words which contain ‘m’ and ‘n’ nasal sounds, produced by
letting air out through the nose, not working the tongue, lips, mouth or teeth.
These sounds are soothing and mellow, fir for a description of gentle
lightness.
Tennyson wanted to create the drowsy
heat of a summer day in his poem In Memoriam, so he wrote the following:
The moan of doves in immemorial
elms
And the murmuring of innumerable
bees
He could have chosen other birds,
trees and insects, as well as different adjectives and a verb. Would it have
had the same effect if he had written the following?
The croak of crows in timeless
oaks
And the buzzing of hundreds of
wasps
The sibilance and harsh ‘c’
consonants in the second version make the scene seem much more threatening than
the gentle nasal sounds in the first.
Repeating consonant sounds at the
start of words is called alliteration.
Repeating these sounds within words is called consonance.