What Impression is Created of
War by Owen in his poem Dulce et Decorum Est?
Dulce Et
Decorum Est was a war poem written by Wilfred Owen, a soldier in the British
army who portays his memories and experiences of war in the poem. The poem was
set in the first War World, where
Owen depicts
war as being ignoble with no presence of glory and honour. Instead of dying
“glorious” and “dramatic” stereotypical deaths of a war, the men are suffering
slowly and painfully. Owen creates this impression by painting vivid images of men
that are ‘guttering, choking, drowning’.
This triad suggests that the suffering of the soldiers is continuous and
constant. The word ‘guttering’ often associated with the image of when a candle
is on the verge of dying out, creates the image of the energy and will to fight
in the soldiers slowly dying out. This vividly contrasts with the general
expectation that soldiers being hearty with an upbeat atmosphere. The lack of
glory is emphasised by the repetition of ‘drowning’, which is commonly associated
with being a slow and painful death, the repetition implying that this type of
death is common and often reoccurring. In addition, Owen powerfully creates the
impression that war is ignoble by revealing that the man under gas attack is
‘floundering like a man in fire’, his lungs being ‘froth corrupted’. The word
‘floundering’ helps the reader conjure the image of someone drowning and making
desperately gasping for air and seeking help, showing how desperately these men
want to be saved from war.
Owens’s point
that war is ignoble is further emphasised by the men’s ‘froth corrupted lungs’.
The ironic idea is that lungs are essential to survival is the main cause of
one’s death; the use of this irony accentuates the irony of the whole situation
of war. It makes Owens’ point that war is ignominious powerfully clear; the
difference between what war actually is and what it is expected and thought to
be. This is reinforced with the connotations of ‘corrupted’, both linking to
the idea that the lungs are almost a form of betrayal to the man. The word
‘corrupted’ is commonly associated to with being contaminated and spoiled, it
is also often linked with corrupted government, which might a reference towards
Owens bitterness and anger of the people who are responsible for the men at
war. Furthermore, another effective Owen uses to convince the readers that the
warfare is unheroic is through the description of the men’s conditions as
‘absences as cancer’. ‘Cancer’ is often linked with being a terminal and
incurable illness that generally involves continuous suffering and a slow
death. Additionally portraying the cancer as an object that is constantly
following the men around.
Owen also
makes use of enjambment to suggest that the death of the men spans over the
course of a long period of time. The image of the soldier ‘gargling’ on his
‘froth corrupted lungs’ creates the impression that the man is gargling on his
own blood. The use of the onomatopoeia appeals to the reader’s sense, it allows
them to completely grasp the experience from the point of view of the persona,
right down to the minute detail of how death in war really sounds like.
However, Owens’ most effective method of convincing the reader that war is
ignoble is through the use of irony, that is a reference towards Owens feeling
of betrayal. The irony allows the reader to comprehend the irony within war,
there is constant betrayal, and also it creates the impression that the idea of
war is a contrast to what it actually is.
Furthermore,
Owen conveys the impression that the treatment of the men after death is
inhumane. The man was ‘flung’ behind the wagon. The word ‘flung’ used to
describe the disposal of the almost dead man creates a very vivid image,
suggesting that this human being is worthless, not even worthy of an animal and
instead, described as if an inanimate object.
It almost suggest that deaths during gas attacks occurs so often that
even the soldiers are not desperately attempting to save him, the almost
detached approach to the matter makes Owens’ point that war is inglorious
painfully clear.
The poem
also portrays an impression that war is inescapable. In particular, that war is
physically inescapable. This is depicted through the regular alternating rhyme
of the words ‘sludge’ and ‘trudge’, the ‘udge’ endings make the words sounds
heavy and a lack of upbeat tone. The repetition implies that the horrific
conditions of war are never ending, additionally, creating a sense that the
energy is constantly being sapped out of the soldiers. However, Owens’ most
effective method of convincing the reader that the war is physically
inescapable is through the subtle use of rhythm within the first stanza,
regular rhythm creates a sense of never ending and monotony.
In addition,
Owen creates the impression that even after the war, the memories still haunt
the soldiers; war is mentally inescapable. Owen emphasises his point though his
depiction that the men are constantly having ‘smothering dreams’ that drags
back memories from war. The description of the dreams as smothering suggests
that the dreams are overwhelming, creating a sense of inescapability within the
dream. The use of the word ‘smothering’ creates an image of the dreams
literally suffocating the man. In addition, Owen portrays that the war has
resulted in permanent damage through the use of ‘haunting flares’ that creates
a vivid nightmarish image. The nightmarish image is further developed through
the use of ‘haunting’ that has the connotations of being lingering,
unforgettable and reoccurring. It also
creates the impression that the memories and experiences of war are constantly
following the man around. This is reinforced through the persona describing
these memories as an occurrence ‘in all’ his ‘dreams’, which emphasises that
the dreams are repetitive. Owens’ uses the points above to effectively create a
sense of inescapability from war even when the men are unconscious.
Furthermore,
Owen uses words that create highly vivid images, portraying it as if the dead
soldiers are coming back to haunt the living men, emphasising how deeply
scarred the men are. Owen uses the image of the dead soldiers that ‘plunges’ at
the person, implying that the a figment of the persona’s imagination is coming
back for revenge, suggesting that the persona feels guilty and powerless that
he is unable to help his fellow soldiers. Owen makes his point more powerful by
the use of the word ‘plunges’ that sounds very harsh, showing the man’s
desperation for survival. This is accentuated by the use of enjambment within
‘before my helpless sight he plunges’, emphasising the inescapability from the
situation and also creates the sense of repetition of the memory.
Moreover,
Owen emphasise that war inescapability of the war that is felt by the soldiers
as they ‘cursed through sludge’ towards their ‘distant rest’ by creating an
image that the men are continuously swearing but still persevering on. However,
the word ‘cursed’ also suggests that the soldiers are cursed of suffering and
death, creating a sense of inescapability from this spell that is accentuated
by the use of ‘distant rest’.
Owen conveys
the sense that the war has a toll on the men, rendering them powerless and
physically exhausted. He portrays the men ‘bent double like old beggars’ who
are ‘knock-kneed’ but still continuing to ‘limp on’, these words undermine the
image of the hearty and brave soldiers and also shows sharp contrast between
the reader’s expectation of the soldiers and how they should be. Instead the
men are portrayed as weak and powerless. In addition, ‘limped’ suggest a lack
of pride and heroism in the men’s stride. This idea is further developed
through the use of harsh consonants in ‘bent double’ to show that the men are
beaten down, a sense of defeat portrays though their body language, depicting
the men as old people, with lack of energy. The idea that the men are
‘knock-kneed’ uses alliteration to suggest that the men are exhausted to the
point that they can barely support their body weight. The physical exhaustion is further developed
through a triad of disability to describe the men being ‘deaf’, ‘lame’ and
‘blind’. The use of hyperbole and repetition with ‘all’ shows the clear absence
of glory and also portrays the men as being disable. Additionally, ‘blind’
carries the connotation of being lost, implying that the men cannot find their
way back in humanity.
Owen also
portrays the soldiers as powerless and emphasises the helplessness of the men.
The ‘misty panes’ of the gas mask that the soldiers have to wear creates a
sense of distance between the persona and the person that is being poisoned.
The distance creates an imaginative barrier between the persona and the men in
suffering, almost as if the persona is unable to break the barrier. The use of
‘misty’ creates the impression that the persona cannot even make out what is
happening clearly, let alone how he is able to aid the men. In addition, the
image that the soldiers are ‘under a green sea’ presents signs of helplessness
and disconnection from the persona and the situation. In addition, Owen creates irony within the
situation by describing the men as ‘under a green sea’, with ‘sea’ having the
connotations of being peaceful, a sharp contrast to the gas being lethal.
The poem
also depicts the conditions of war as horrific. The physical dilapidation of the
soldiers are emphasised as they ‘marched asleep’, ‘drunk with fatigue’,
numerous men that ‘lost their boots’ and instead are ‘blood shod’. Owen uses
the image of men ‘marching sleep’ to show the degree of the exhaustion of the
soldiers, creating a contrast between the word’ marched’ which is commonly
associated with being upbeat to the word ‘asleep’, portraying the soldiers as
being zombie-like with no life left in them. This is developed through the use
of short sentence that create impact. Additionally, the image of men that have ‘lost
their boots’ creates pathos in the reader and also makes the situation appear
worst. Instead, the men are portrayed as ‘blood-shod’, implying that the men
are severely injured, almost as if death is creeping up on them. It also
creates the horrid image that the ground the soldiers are marching on is
saturated with blood from the deaths of other men.
Furthermore,
the conditions of the war being horrific is emphasised through the men being
‘deaf to the hoot of gas shells’ that are ‘dropping slowly behind’. The use of
‘s’ sibilance makes it appear sinister and also foreshadows death. The soldiers
being ‘deaf’ to the sounds of gas shells emphasises the horrid conditions of
war; typically, gas shell attack are associated with death, such an event would
strike immediate panic in an ordinary person. However, this has become a
day-to-day affair for the men at war, acting as a constant reminder of war,
suggesting the man are slowly stripped of humanity. This point is further
emphasised through the gas shells ‘dropping softly’ behind, suggesting that
death is slowly creeping up, creating a sinister image of behind attacked from
the back- an animal like attack.
Finally,
Owens’s representation that the young soldiers are being betrayed by the people
back home into going to war. Owen emphasises that the “men” are war are only
‘boys’ and ‘children ardent for some desperately glory’. This creates pathos
and also reveals the true age of the men at war and the innocence and naivety
that is commonly possessed by young ‘boys’. The desperation of these boys to
prove that they are men is portrayed in a cynical tone, suggesting these boys
were misled into thinking war is glory and it also emphasises the contrast
between what the boys had expected and what the reality of the situation was.
This is reinforced by the degree that these boys are being misled; the word
‘ardent’ who possesses the connotations of love suggest that these young men
are being misled to the point where they literally love the idea of war.
In addition,
Owen expresses his bitterness and anger at the people that are misleading these
young men. He makes his point that the presentation of war that is given is
nothing by an ‘old lie’, telling the people that ‘if you could pace’, ‘if you
could hear’ to witness the suffering of the men at war, ‘you would not tell
with suck high zest’. The use of personal pronouns indicates direct address and
an accusation of the reader, in addition, it also implies that the people
misleading the men were not there to personally experience the suffering of the
war, creating a sense of bitterness that these men that are responsible for the
propaganda, such as Jesse Pope, know little or nothing about what the effect of
their actions are or how much they have twisted the truth.
The
bitterness of Owen is further expressed through the bitter and sarcastic tone
in the word ‘friend’. The use of ‘friend’ is insincere, revealing Owens’s anger
towards the people; this powerfully shows the betrayal felt by Owen, the irony
that “friends” held majority of the responsibility for the soldiers fighting at
war.
Moreover,
Owen completely disagrees with the propaganda “Dulce et decorum est pro patria
mori”, which translates into “ It is sweet and honourable to die for your
country’. Owen describes this propaganda as an ‘Old lie’, capitalising the word
‘Lie’ to suggest that the Lie is human and has been kept going by humans, as if
the Lie has tricked the people maliciously.
Additionally, the harsh consonants of the ‘d’s indicates a bitter tone.
The poems also ends with the last word being ‘mori’ which means ‘dead’
suggesting that dead men were the only result of the war and also a solemn
sense of finality and bluntness to it, furthermore, the poem appears to be cut
of early, a reference to the lives of the soldiers being ended abruptly.
Finally, the propaganda is written in Latin, implying that this lie has been
continuously perpetuated over the ages. The language it is written in also is
the language of the educated, majority of those only involved in the war as
holders of higher ranking positions and not the soldiers that are fighting in
the trenches, conveying the idea that the propaganda itself is the language of
the liars.
Essentially, the poem ‘Dulce et
Decorum Est’ is a powerful poem which reveals the true identity and atrocities
of war and the suffering endured by the soldiers who had to experience the
horrid conditions of trench war on the battlefield. This poem explores the
irony and contrast between the expectations of and war and the irony that all
the men that signed up had enlisted out of their own free will. Owen’s poem
allowed him to tell his story from the perspective of the men fighting on the
frontline, a perspective of great contrast to the common expectations of war at
that time- war led to uncountable damages, a sharp contrast from being “sweet
and glorious”, “Dulce et decorum est”.